A Critical Approach to Classical Indian PoeticsChaukhambha Orientalia, 1984 - 416 sider Sanskrit poetics. |
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Side 104
... quoted verse from Keats's ' St. Agnes Eve ' , Madeline is the ' Viṣayalambana ' and Porphyro is the ' Aśrayālambana ' . In fact , this division is based on who comes to feel the emotion of love for whom first ; subsequently , the ...
... quoted verse from Keats's ' St. Agnes Eve ' , Madeline is the ' Viṣayalambana ' and Porphyro is the ' Aśrayālambana ' . In fact , this division is based on who comes to feel the emotion of love for whom first ; subsequently , the ...
Side 172
... quoted this example in connexion with an Alamkāra , ' Hetu ' , already mentioned . While discussing a threesome of Alamkāras , -Hetu ( § ) , Sūkṣma ( ÿ¤ ) and Lesha ( ” ) —he defines Hetu as ' Karaka ' and ' Jnapaka ' , that is ...
... quoted this example in connexion with an Alamkāra , ' Hetu ' , already mentioned . While discussing a threesome of Alamkāras , -Hetu ( § ) , Sūkṣma ( ÿ¤ ) and Lesha ( ” ) —he defines Hetu as ' Karaka ' and ' Jnapaka ' , that is ...
Side 290
... quoted only to show how out of a medley of emotions , Fear has been fostered in the parti- cular situation ; otherwise we hold that in ' Othello ' , the central emotion developed is Pity and hence the final relish is the Pathetic ...
... quoted only to show how out of a medley of emotions , Fear has been fostered in the parti- cular situation ; otherwise we hold that in ' Othello ' , the central emotion developed is Pity and hence the final relish is the Pathetic ...
Indhold
Vibhāvas ecetera Explained Number | 3 |
yakas Contribution 2231 | 29 |
Mammața Bhaṭṭa Bhānu | 47 |
Copyright | |
Almindelige termer og sætninger
Abhinava Abhinavagupta accepted according Accordingly Āchārya Acharyas aesthetic Alamkāra alluded Ananda Anandavardhana Anubhāvas Aristotle Atiśayokti attributes Auchitya Beauty Bhakti Bhāmaha Bharata Bhaṭṭanāyaka Bhāva Bhāvanā Bhoja called canonists Catharsis cause Chamatkara character charm concept context critical damsel Daṇḍin delineation denotes depicted Desdemona Dhvani drama element elucidation emotion enjoyment enunciated etcetera example experience fact feelings Gunas hero Hindi Ibid impulses inasmuch Indian Poetics Jagannatha Karuņa Kavya Kuntaka Lakshaṇā limbs literary lover Mammața Mārga Māyā Metaphor mind moon Nayikā object Othello pain phrase pity and fear pleasure poem poet poet's poetic figures poetry Rasa Rasa Doctrine Rasa-dhvani Rasābhāsa Rati Raudra readers recognised regarded relish Riti Rudrața Rūpaka Sahṛdaya Sāmājika Sandhis Sanskrit Sattva scholars Shoka soul speech Sphota Śṛngāra Sthāyi suggested Swabhāvokti Theory tion Tithonos Tragedy tragic Upamā Upamāna Upameya utterance Vachyārtha Vakrokti Vamana variety Vārtā Vātsyāyana verse Vibhāvas Vipralambha Vira Vishwanatha Vyabhichāris Vyangyārtha Vyañjanā word and meaning