A Critical Approach to Classical Indian PoeticsChaukhambha Orientalia, 1984 - 416 sider Sanskrit poetics. |
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Side 17
... becomes his own . There is patently little difference between the two interpretations both of which attach the Rasa originally to the hero and then transfer it to the Actor . Here it becomes mani- fest that Lollata is inspired ...
... becomes his own . There is patently little difference between the two interpretations both of which attach the Rasa originally to the hero and then transfer it to the Actor . Here it becomes mani- fest that Lollata is inspired ...
Side 81
... becomes enjoyable and if he is bereft of this , the world becomes insipid . ' From the above - quoted verses , we come to learn that the Rasa which creates Beauty in Poetry , is known as Ahamkāra , Abhimana or Śṛngāra . Let it be ...
... becomes enjoyable and if he is bereft of this , the world becomes insipid . ' From the above - quoted verses , we come to learn that the Rasa which creates Beauty in Poetry , is known as Ahamkāra , Abhimana or Śṛngāra . Let it be ...
Side 99
... becomes a " Bhāva " . In the same way , Love towards gods , preceptors , kings etcetera being felt principally , also becomes a " Bhāva " . Furthermore , ' Sthāyis ' like ' Hāsa ' , ' Krodha ' etcetera , not Chapter I 99.
... becomes a " Bhāva " . In the same way , Love towards gods , preceptors , kings etcetera being felt principally , also becomes a " Bhāva " . Furthermore , ' Sthāyis ' like ' Hāsa ' , ' Krodha ' etcetera , not Chapter I 99.
Indhold
Vibhāvas ecetera Explained Number | 3 |
yakas Contribution 2231 | 29 |
Mammața Bhaṭṭa Bhānu | 47 |
Copyright | |
Almindelige termer og sætninger
Abhinava Abhinavagupta accepted according Accordingly Āchārya Acharyas aesthetic Alamkāra alluded Ananda Anandavardhana Anubhāvas Aristotle Atiśayokti attributes Auchitya Beauty Bhakti Bhāmaha Bharata Bhaṭṭanāyaka Bhāva Bhāvanā Bhoja called canonists Catharsis cause Chamatkara character charm concept context critical damsel Daṇḍin delineation denotes depicted Desdemona Dhvani drama element elucidation emotion enjoyment enunciated etcetera example experience fact feelings Gunas hero Hindi Ibid impulses inasmuch Indian Poetics Jagannatha Karuņa Kavya Kuntaka Lakshaṇā limbs literary lover Mammața Mārga Māyā Metaphor mind moon Nayikā object Othello pain phrase pity and fear pleasure poem poet poet's poetic figures poetry Rasa Rasa Doctrine Rasa-dhvani Rasābhāsa Rati Raudra readers recognised regarded relish Riti Rudrața Rūpaka Sahṛdaya Sāmājika Sandhis Sanskrit Sattva scholars Shoka soul speech Sphota Śṛngāra Sthāyi suggested Swabhāvokti Theory tion Tithonos Tragedy tragic Upamā Upamāna Upameya utterance Vachyārtha Vakrokti Vamana variety Vārtā Vātsyāyana verse Vibhāvas Vipralambha Vira Vishwanatha Vyabhichāris Vyangyārtha Vyañjanā word and meaning