A Critical Approach to Classical Indian Poetics

Abhinava accepted according Accordingly Achāryas aesthetic Alamkāra alluded Ananda appears attributes Beauty becomes Bhāmaha Bharata Bhāva born called cause character charm classes concept considered context contribution create critical defines delineation denotes depicted described desired developed Dhvani discussion Doctrine effect element elucidation emotion enjoy enjoyment enunciated etcetera example experience explained expression face fact factors fear feelings figures further giving Guņas Hence hero holds identified importance impulses inasmuch Indian Karuņa Kāvya limbs lines literary looks lover matter meaning mentioned Metaphor mind moon namely nature object original pain person phrase Pity pleasure poem poet poet's poetic poetic figures poetry present principle produced quoted Rasa Rati readers reason recognised regarded relish respectively Richards Sanskrit scholars School sense separation soul speech Sthāyi suggested taken takes takes place Theory thing tion Tragedy tragic types Upamāna utterance Vakrokti variety verse Vibhāvas Western