THE POOR ARTIST. "Serene Philosophy? She springs aloft with elevated pride, Above the tangling mass of low desires, That bind the fluttering crowd; and angel-winged, THERE is one whom I love to think of oft, With an intenser passion far, than I Can summon forth to most whom I call friends. I love sweetly to task my memory, too, At times, for some ensample of his pure And rich, philosophy. Fixed in their sockets, and his brow knit low He measured. There his pencil and palette Lay—not from sloth, but want of patronage — And ardor of benevolence within His lacerated bosom. He was poor In this world's goods, but rich in faith and hope. The Bible was to him a casket, full Of rarer gems, and, clasped in ancient style, Upon a cushioned tripod laid, His wonted prayers ascended. o'er which The bright vein In his psychrometer ran low, and his Contracted window was flowered o'er with frost. The piercing wind waved the dim flame that danced "But one blast more, and like a star 't will roll Of traceless emanations." Clenching my hand He said and sank to his huge arm-chair Upon a draft of the Cenacolo,* Which graced his chequered wall. The sheen lit up A smile upon his care-worn face, and he Gave utterance to the joys that flowed his soul. "Sweet talisman of by-gone days And fair Italia's skies! Back to those times and scenes how quick He sighed, then raised his eyes eyes to Heaven, and said, *The Cenacolo, or "Last Supper," was originally painted in fresco, by Leonardo da Vinci, upon the wall of the refectory or hall of the convent of the Dominicans, attached to the church Santa Maria Della Grazie, at Milan. "How prone to cleave to things of earth, And dwell upon its joys!" "Look how the silvery moon-beams lave The picture that I love; To cheer my saddened spirit, and "O, may I e'er remember Him, "I raised this emblem to incite "Though pent in poverty's mean cot, Secluded and unknown To the wide world, and pierced with care, I never am alone. "God condescends to dwell with me, And succor with his grace, While from his own beloved Son He hid his smiling face! "When his o'erflowing soul burst forth In agony to God, No sympathizing voice was heard, No hand restrained the rod. “But I, poor worthless worm of dust, When clouds and tempests rise, Receive support, — faith, hope, and love, E'en ere I lift my cries. I love, beside my gorgeous hearth, to sit in a winter's day, slumbering lay; I love, too, to watch the expanding flowers. the crocus and snow drop, As they rise from their beds to hasten Spring, and quick their petals ope. I love to hear the clouds' parting adieu, as round the zephyrs breathe, And to hail the yellow and crimson tints that paint the scene beneath, When the merry snow-birds hie to the light and flit o'er shrubs of glass; I surely imagine that Summer 's come, as 'long the cold months pass. I love to behold my little peach-tree with icy jewels strung, Like a bright chandelier in Nature's church the lesser lights among, When the sunshine illumes each withered stalk that lifts its sickly head, And the numerous fallen leaves that lie upon their spangled bed. I love, too, to watch the frost-flowered pane as o'er its surface start The rays that wake blossoms in iris-hues to glad the poet's heart And I love to mark the sun's parting ray, when to his couch he goes, For though he carries those blossoms away, a crystal forest grows. And at eve when Queen Luna rides abroad with all her spangled train, I love well to mark that gemm'd forest grown quite o'er the window pane; And I love to catch a glimpse of the rays that play among the trees, Which cast their beautiful shades on my wall: O these are things that please! THE BIRTH-DAY CORONAL. ONE winter eve there met around Queen Luna deigned to grace the feast, With which she too was fraught. |