Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 22Indiana University Press, 2000 |
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Side 13
... writes , in reference to L. Visconti's film The Damned , " everything signifies fascination , terror , and ec- stasy ... write a poem after Auschwitz is barbaric , " which ended an essay on the co - optation of cultural criticism ...
... writes , in reference to L. Visconti's film The Damned , " everything signifies fascination , terror , and ec- stasy ... write a poem after Auschwitz is barbaric , " which ended an essay on the co - optation of cultural criticism ...
Side 14
... writes , " is first of all unique in that it builds around itself a circle of flame . The limit should not be transgressed because a certain absolute of horror is intransmissible . To pretend to be able to do so is to make oneself ...
... writes , " is first of all unique in that it builds around itself a circle of flame . The limit should not be transgressed because a certain absolute of horror is intransmissible . To pretend to be able to do so is to make oneself ...
Side 118
... writes David W. Noble . “ Progress as the history of liberty was a movement from the space of the despotic Oriental civilization westward " ( 239 ) . Most of these historians , according to Noble , “ ... chose therefore , to write ...
... writes David W. Noble . “ Progress as the history of liberty was a movement from the space of the despotic Oriental civilization westward " ( 239 ) . Most of these historians , according to Noble , “ ... chose therefore , to write ...
Indhold
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Copyright | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York