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Side 14
The Holocaust , he writes , “ is first of all unique in that it builds around itself a circle of flame . The limit should not be transgressed because a certain absolute of horror is intransmissible .
The Holocaust , he writes , “ is first of all unique in that it builds around itself a circle of flame . The limit should not be transgressed because a certain absolute of horror is intransmissible .
Side 54
If , as Lisa Cartwright writes , we can no longer speak of bodies or objects of knowledge without acknowledging the in ... are regulated and disciplined , then it is impossible to write of television as simply a medium of representation ...
If , as Lisa Cartwright writes , we can no longer speak of bodies or objects of knowledge without acknowledging the in ... are regulated and disciplined , then it is impossible to write of television as simply a medium of representation ...
Side 118
... as for Hegel , history as progress always linked time and space , ” writes David W. Noble . ... according to Noble , “ ... chose therefore , to write elegies for the early nineteenth century , when history as progress had apparently ...
... as for Hegel , history as progress always linked time and space , ” writes David W. Noble . ... according to Noble , “ ... chose therefore , to write elegies for the early nineteenth century , when history as progress had apparently ...
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Indhold
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Problems for a Colorblind | 70 |
Copyright | |
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action AIDS American appear artists becomes beginning body Brawley Brawley's called camera century cinema claims Clay colonial Commandment concept continues critical Cuban cultural desire discourse discussion dream effect English essay example experience Export fact female figure film hand host Hughes human idea identity immigrant issues Jewish kind King Kong language Latin literature living look Love means memory Michigan movement narrative notes object original parasite past performance photographic political position possible postcolonial Practice present Press production provides question race racial reason relation relationship representation represents scene Second seems seen sense sequence sexual shot side social space Spanish speak story Studies suggests suture theory thing thought tion touch translation turn understand United University visual voice woman writes York