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Side 17
In the first , which shows the woman's head and upper body , her outstretched arms have been reduced to stumps through the cropping of the photograph , which has been torn along a jagged edge on the right . In the second , which also ...
In the first , which shows the woman's head and upper body , her outstretched arms have been reduced to stumps through the cropping of the photograph , which has been torn along a jagged edge on the right . In the second , which also ...
Side 55
Thus the woman touching herself provokes the voyeur's desire to touch her body as well . A similar interrelation of sensory circuits is at stake in Sobchack's comments on the sensual experience that is activated in the cinematic ...
Thus the woman touching herself provokes the voyeur's desire to touch her body as well . A similar interrelation of sensory circuits is at stake in Sobchack's comments on the sensual experience that is activated in the cinematic ...
Side 86
If , as Export has argued , " woman ” is already aligned with " object ” and “ material , ” Adjoined Dislocations moves us into the spatial position of “ woman , ” so that we may physically occupy this material location as it ...
If , as Export has argued , " woman ” is already aligned with " object ” and “ material , ” Adjoined Dislocations moves us into the spatial position of “ woman , ” so that we may physically occupy this material location as it ...
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Indhold
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Problems for a Colorblind | 70 |
Copyright | |
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action AIDS American appear artists becomes beginning body Brawley Brawley's called camera century cinema claims Clay colonial Commandment concept continues critical Cuban cultural desire discourse discussion dream effect English essay example experience Export fact female figure film hand host Hughes human idea identity immigrant issues Jewish kind King Kong language Latin literature living look Love means memory Michigan movement narrative notes object original parasite past performance photographic political position possible postcolonial Practice present Press production provides question race racial reason relation relationship representation represents scene Second seems seen sense sequence sexual shot side social space Spanish speak story Studies suggests suture theory thing thought tion touch translation turn understand United University visual voice woman writes York
Bibliografiske oplysninger
| Titel | Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 22 Discourse: Berkeley journal for theoretical studies in media and culture, University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Bidragyder | University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Udgiver | Indiana University Press, 2000 |
| Eksporter henvisning | BiBTeX EndNote RefMan |