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Side 36
The language of this essay situates agency on the side of the fantasmatic , vestigial residues of experience , this time in the shape of discarded beliefs or modes of thought . Freud writes : Wir - oder unsere primitiven Urahnen - haben ...
The language of this essay situates agency on the side of the fantasmatic , vestigial residues of experience , this time in the shape of discarded beliefs or modes of thought . Freud writes : Wir - oder unsere primitiven Urahnen - haben ...
Side 98
... decompositions of the competent body " are visually , sonorously summoned through the performance's variously imagined projections and interventions — thought made visible and tangible , philosophy thrust into projected dimension .
... decompositions of the competent body " are visually , sonorously summoned through the performance's variously imagined projections and interventions — thought made visible and tangible , philosophy thrust into projected dimension .
Side 60
The chiasmus might be viewed , then , as a form of thought which reveals the pristine unity underlying both terms in an opposition as a from of thought through which differences are established , maintained , and surmounted in a ...
The chiasmus might be viewed , then , as a form of thought which reveals the pristine unity underlying both terms in an opposition as a from of thought through which differences are established , maintained , and surmounted in a ...
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Indhold
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Problems for a Colorblind | 70 |
Copyright | |
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action AIDS American appear artists becomes beginning body Brawley Brawley's called camera century cinema claims Clay colonial Commandment concept continues critical Cuban cultural desire discourse discussion dream effect English essay example experience Export fact female figure film hand host Hughes human idea identity immigrant issues Jewish kind King Kong language Latin literature living look Love means memory Michigan movement narrative notes object original parasite past performance photographic political position possible postcolonial Practice present Press production provides question race racial reason relation relationship representation represents scene Second seems seen sense sequence sexual shot side social space Spanish speak story Studies suggests suture theory thing thought tion touch translation turn understand United University visual voice woman writes York