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Side 119
( 80–81 ) Sommer here situates her reading public , her critical imaginary , as the Anglo - American English - speaking academician who believe that a work can be unproblematically situated in a comparative literature context , where ...
( 80–81 ) Sommer here situates her reading public , her critical imaginary , as the Anglo - American English - speaking academician who believe that a work can be unproblematically situated in a comparative literature context , where ...
Side 8
Speak , Body Kaja Silverman 1 i Valie Export's 16mm film , Syntagma ( 1983 ) begins with a shot of two female hands forcing a space open between two strips of celluloid . The feminine real seems to be asserting itself over and against ...
Speak , Body Kaja Silverman 1 i Valie Export's 16mm film , Syntagma ( 1983 ) begins with a shot of two female hands forcing a space open between two strips of celluloid . The feminine real seems to be asserting itself over and against ...
Side 25
What practical strategies could be implemented to ensure that border thinking really works from North to South , so to speak , and not always the other way round ? Mignolo : Can you imagine bilingual situations in English ?
What practical strategies could be implemented to ensure that border thinking really works from North to South , so to speak , and not always the other way round ? Mignolo : Can you imagine bilingual situations in English ?
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Indhold
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Problems for a Colorblind | 70 |
Copyright | |
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