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Side 83
lens and the stationary camera to move the viewer through space , Export's piece marks her own body's movement in time , making it an analog to film movement . In so doing , Adjoined Dislocations aligns the usual invisibility of the ...
lens and the stationary camera to move the viewer through space , Export's piece marks her own body's movement in time , making it an analog to film movement . In so doing , Adjoined Dislocations aligns the usual invisibility of the ...
Side 84
The body inside Adjoined Dislocations moves toward , away from , and through a space , and in doing so becomes itself a function of that space . Export describes this process as follows : In this way “ what is demonstrated is not only ...
The body inside Adjoined Dislocations moves toward , away from , and through a space , and in doing so becomes itself a function of that space . Export describes this process as follows : In this way “ what is demonstrated is not only ...
Side 29
“ Modernity ” implies also the colonization of space and the making of the colonial difference . “ Modern times " and “ Western Space ” were the limits of a space of enunciation that in the name of Christianity ( remember , Japhet in ...
“ Modernity ” implies also the colonization of space and the making of the colonial difference . “ Modern times " and “ Western Space ” were the limits of a space of enunciation that in the name of Christianity ( remember , Japhet in ...
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Indhold
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Problems for a Colorblind | 70 |
Copyright | |
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action AIDS American appear artists becomes beginning body Brawley Brawley's called camera century cinema claims Clay colonial Commandment concept continues critical Cuban cultural desire discourse discussion dream effect English essay example experience Export fact female figure film hand host Hughes human idea identity immigrant issues Jewish kind King Kong language Latin literature living look Love means memory Michigan movement narrative notes object original parasite past performance photographic political position possible postcolonial Practice present Press production provides question race racial reason relation relationship representation represents scene Second seems seen sense sequence sexual shot side social space Spanish speak story Studies suggests suture theory thing thought tion touch translation turn understand United University visual voice woman writes York