Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 22Indiana University Press, 2000 |
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Side 93
... Sound is transformed into image . Image is transformed into sound . It turns out that what I see— — I hear , and what I hear— I see . In the time of the method at a distance , the reciprocal actions between the particles happen so ...
... Sound is transformed into image . Image is transformed into sound . It turns out that what I see— — I hear , and what I hear— I see . In the time of the method at a distance , the reciprocal actions between the particles happen so ...
Side 94
... sound badly ; they were content with a synchronous cinema , as in life , of sonic illustration . No one noticed that sound could take the place of the image , and that then the latter could merge with the former . Niney : Your cinema is ...
... sound badly ; they were content with a synchronous cinema , as in life , of sonic illustration . No one noticed that sound could take the place of the image , and that then the latter could merge with the former . Niney : Your cinema is ...
Side 95
... sounds and signifiers function as counterpoints within the sequential narrative of the poem . In " Negro Bembón , " it is ... sound - phrases mimicking Africanisms and drum - language without any direct meaning in Spanish . The refrain ...
... sounds and signifiers function as counterpoints within the sequential narrative of the poem . In " Negro Bembón , " it is ... sound - phrases mimicking Africanisms and drum - language without any direct meaning in Spanish . The refrain ...
Indhold
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Copyright | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York