Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 22Indiana University Press, 2000 |
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Side 44
... simply reversed the predicament black Americans find all too familiar : the use of false charges to rationalize the maiming and murder of countless blacks in the United States ; the mass creation of victims . ( 409 ) The article ...
... simply reversed the predicament black Americans find all too familiar : the use of false charges to rationalize the maiming and murder of countless blacks in the United States ; the mass creation of victims . ( 409 ) The article ...
Side 8
... simply pass over to the side of the signifier . This is a different kind of language than that usually used for film credits or dialogue . Whereas the written or phonetically articulated word is generally understood to operate at the ...
... simply pass over to the side of the signifier . This is a different kind of language than that usually used for film credits or dialogue . Whereas the written or phonetically articulated word is generally understood to operate at the ...
Side 23
... simply , is that whatever you do you have to work within the colonial structure of power and the colonial difference that was in place before you , me , Dussel , or Quijano were born . Consequently , suppose that Dussel's and Quijano's ...
... simply , is that whatever you do you have to work within the colonial structure of power and the colonial difference that was in place before you , me , Dussel , or Quijano were born . Consequently , suppose that Dussel's and Quijano's ...
Indhold
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Copyright | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York