Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 22Indiana University Press, 2000 |
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Side 95
... shots into relation gives them a meaning — mon- tage at a distance , in keeping apart two shots that speak to each other and have meaning , transmits their tension and makes them speak to each other across the whole chain of shots that ...
... shots into relation gives them a meaning — mon- tage at a distance , in keeping apart two shots that speak to each other and have meaning , transmits their tension and makes them speak to each other across the whole chain of shots that ...
Side 9
... shots are not identical . The framing of the woman and her distance from the camera vary . We are offered two divergent accounts of a woman walking . These two split screen shots suggests that Syntagma is concerned less with opposition ...
... shots are not identical . The framing of the woman and her distance from the camera vary . We are offered two divergent accounts of a woman walking . These two split screen shots suggests that Syntagma is concerned less with opposition ...
Side 12
... shots follow , involving photographs of hands and torsos , in different combinations of black and white and color , all cut in half diagonally , and all making the same distinction between the inner and outer photograph . The paradigm ...
... shots follow , involving photographs of hands and torsos , in different combinations of black and white and color , all cut in half diagonally , and all making the same distinction between the inner and outer photograph . The paradigm ...
Indhold
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Copyright | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York