Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 22Indiana University Press, 2000 |
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Side 25
... shot described above bears a resemblance to the opening shot of Alfred Hitchcock's Psycho , and its effects can be better understood through a comparison . At the start of Psycho , Discourse 22.2 ( Spring 2000 ) : 25–45 . Copyright ...
... shot described above bears a resemblance to the opening shot of Alfred Hitchcock's Psycho , and its effects can be better understood through a comparison . At the start of Psycho , Discourse 22.2 ( Spring 2000 ) : 25–45 . Copyright ...
Side 35
... shot replicating the mise - en - scène of the initial plaza view , but this time Anna's contorted figure appears lying in the foreground . In the next shot , however , Anna's figure has suddenly been replaced by a life - size , black ...
... shot replicating the mise - en - scène of the initial plaza view , but this time Anna's contorted figure appears lying in the foreground . In the next shot , however , Anna's figure has suddenly been replaced by a life - size , black ...
Side 43
... shot of a hand tearing a photograph , whose content is difficult to discern , before the closing credits appear . The repetition of the tracking shot from the beginning of the film provides an appropriate conclusion to the film ...
... shot of a hand tearing a photograph , whose content is difficult to discern , before the closing credits appear . The repetition of the tracking shot from the beginning of the film provides an appropriate conclusion to the film ...
Indhold
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Copyright | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York