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Side 49
The more interesting use of collective memory in this case is , however , as an explanation for the nature of black beliefs and common sense . I have argued that the suggestion that a history of black victimization has predisposed a ...
The more interesting use of collective memory in this case is , however , as an explanation for the nature of black beliefs and common sense . I have argued that the suggestion that a history of black victimization has predisposed a ...
Side 57
diving history and a visually mediated form of televisual history , a combination that spoke to the complexities of the representation of the body and to the relentless sense of technological determinism that underscores the nature of ...
diving history and a visually mediated form of televisual history , a combination that spoke to the complexities of the representation of the body and to the relentless sense of technological determinism that underscores the nature of ...
Side 55
conflate and make sense together . Although I cannot fully touch ( an actor's ) sensitized body on the screen ... 1 ... I still have a partially fulfilled sensory experience of these things that make them meaningful to and for me .
conflate and make sense together . Although I cannot fully touch ( an actor's ) sensitized body on the screen ... 1 ... I still have a partially fulfilled sensory experience of these things that make them meaningful to and for me .
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Indhold
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Problems for a Colorblind | 70 |
Copyright | |
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action AIDS American appear artists becomes beginning body Brawley Brawley's called camera century cinema claims Clay colonial Commandment concept continues critical Cuban cultural desire discourse discussion dream effect English essay example experience Export fact female figure film hand host Hughes human idea identity immigrant issues Jewish kind King Kong language Latin literature living look Love means memory Michigan movement narrative notes object original parasite past performance photographic political position possible postcolonial Practice present Press production provides question race racial reason relation relationship representation represents scene Second seems seen sense sequence sexual shot side social space Spanish speak story Studies suggests suture theory thing thought tion touch translation turn understand United University visual voice woman writes York