Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 22Indiana University Press, 2000 |
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Side 36
... revolutionary with a satchel of explosives , and when he took off his coat and started talking , it was clear that this was an implacable zealot : it was in the unflinching eyes , the orator's voice , the compact fighter's body . He ...
... revolutionary with a satchel of explosives , and when he took off his coat and started talking , it was clear that this was an implacable zealot : it was in the unflinching eyes , the orator's voice , the compact fighter's body . He ...
Side 34
... revolutionary period ( Ashcroft , Griffiths , Tiffin 2 and 16 ) . American Studies scholars Lawrence Buell and Edward Watts followed suit in stressing a series of analogies between antebellum literature and the literature of recently ...
... revolutionary period ( Ashcroft , Griffiths , Tiffin 2 and 16 ) . American Studies scholars Lawrence Buell and Edward Watts followed suit in stressing a series of analogies between antebellum literature and the literature of recently ...
Side 104
... revolutionary period and dedicates his poetry to universal Cuban themes . As Antonio Benítez - Rojo puts it , " with the triumph of the revolution in 1959 , Guillén's poetry enters a new period ; that is , he abandons the discourse of ...
... revolutionary period and dedicates his poetry to universal Cuban themes . As Antonio Benítez - Rojo puts it , " with the triumph of the revolution in 1959 , Guillén's poetry enters a new period ; that is , he abandons the discourse of ...
Indhold
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Copyright | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York