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Side 13
an error to represent the horrific , because we confuse the horrific itself with our representation . ... A fetish represents idolatrous error , for example , because it “ is an object to which people attribute powers that it does not ...
an error to represent the horrific , because we confuse the horrific itself with our representation . ... A fetish represents idolatrous error , for example , because it “ is an object to which people attribute powers that it does not ...
Side 120
These actions represent a double gesture that is , in the final account , unequivocal : it speaks for the desire to ... Exile represents , unfortunately , for Martí not a metaphor or an allegory of expulsion from the Garden of Eden ...
These actions represent a double gesture that is , in the final account , unequivocal : it speaks for the desire to ... Exile represents , unfortunately , for Martí not a metaphor or an allegory of expulsion from the Garden of Eden ...
Side 90
... the black voice of exile and the black affirmation of inclusion represent alternating pulses . ... too , sing America ” - represents only one side of a pendulum : its upswing to progress , inclusion , mestizaje , inter - racial ...
... the black voice of exile and the black affirmation of inclusion represent alternating pulses . ... too , sing America ” - represents only one side of a pendulum : its upswing to progress , inclusion , mestizaje , inter - racial ...
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Indhold
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Problems for a Colorblind | 70 |
Copyright | |
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action AIDS American appear artists becomes beginning body Brawley Brawley's called camera century cinema claims Clay colonial Commandment concept continues critical Cuban cultural desire discourse discussion dream effect English essay example experience Export fact female figure film hand host Hughes human idea identity immigrant issues Jewish kind King Kong language Latin literature living look Love means memory Michigan movement narrative notes object original parasite past performance photographic political position possible postcolonial Practice present Press production provides question race racial reason relation relationship representation represents scene Second seems seen sense sequence sexual shot side social space Spanish speak story Studies suggests suture theory thing thought tion touch translation turn understand United University visual voice woman writes York