Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 22Indiana University Press, 2000 |
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Side 123
... reader in the 19th century on the one hand , and the contemporary multi - cultural reader on the other . They also fail to articulate the ideologies of both sets of readers . The knowledge that we , the readers , now have of the ...
... reader in the 19th century on the one hand , and the contemporary multi - cultural reader on the other . They also fail to articulate the ideologies of both sets of readers . The knowledge that we , the readers , now have of the ...
Side 78
... reader's ) " national " heritage . Also as in the earlier novel , the reader is given verbatim extended passages of the historical text - under - construction as - presumably - it passes through the mind of the character / author and ...
... reader's ) " national " heritage . Also as in the earlier novel , the reader is given verbatim extended passages of the historical text - under - construction as - presumably - it passes through the mind of the character / author and ...
Side 82
... reader role is self - consciously developed and understood . In effect , the reader should read in such a way that s / he reflects on the reader - function as a part of carrying it out . The past , História suggests , should not be ...
... reader role is self - consciously developed and understood . In effect , the reader should read in such a way that s / he reflects on the reader - function as a part of carrying it out . The past , História suggests , should not be ...
Indhold
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Copyright | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York