Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 22Indiana University Press, 2000 |
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Side 37
... racial crusader , but one with political aspirations and a need for media attention . Outrage notes that Mason came from a civil rights back- ground , and that the clients in his private practice included victims of housing or ...
... racial crusader , but one with political aspirations and a need for media attention . Outrage notes that Mason came from a civil rights back- ground , and that the clients in his private practice included victims of housing or ...
Side 76
... racial and ethnic roots , to the rising impetus to turn away from racial awareness and toward a colorblind policy . The film hints at both extremes , without , I believe , ultimately proscribing a solution ; rather , it issues implicit ...
... racial and ethnic roots , to the rising impetus to turn away from racial awareness and toward a colorblind policy . The film hints at both extremes , without , I believe , ultimately proscribing a solution ; rather , it issues implicit ...
Side 100
... racial mulatto aesthetic ? Guillén scholars agree that Guillén , as An- tonio Benítez - Rojo puts it , " desired a Cuba that was ' mulata ' ; that is , a form of nationality that would resolve the deep racial and cultural conflicts by ...
... racial mulatto aesthetic ? Guillén scholars agree that Guillén , as An- tonio Benítez - Rojo puts it , " desired a Cuba that was ' mulata ' ; that is , a form of nationality that would resolve the deep racial and cultural conflicts by ...
Indhold
Total Duplicity of this War | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Copyright | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York