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Side 63
In such producing , man contends for the position in which he can be that particular being who gives the measure and draws up the guidelines for everything that is . ( 134 ) Export's appropriation of Heidegger's argument unabashedly ...
In such producing , man contends for the position in which he can be that particular being who gives the measure and draws up the guidelines for everything that is . ( 134 ) Export's appropriation of Heidegger's argument unabashedly ...
Side 24
While I am , no doubt , interested in changing the aspect of modern history that places the Hispanic culture in general in a subaltern position , I underlined in the book that this is not the colonial but the imperial difference .
While I am , no doubt , interested in changing the aspect of modern history that places the Hispanic culture in general in a subaltern position , I underlined in the book that this is not the colonial but the imperial difference .
Side 57
187 discourse does likewise , taking the opponent's position , nation ( parasite ) -immigrant ( host ) , and reversing it to nation ( host ) -immigrant ( parasite ) . The two discourses are thus engaged in a tug of war in which each ...
187 discourse does likewise , taking the opponent's position , nation ( parasite ) -immigrant ( host ) , and reversing it to nation ( host ) -immigrant ( parasite ) . The two discourses are thus engaged in a tug of war in which each ...
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Indhold
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Problems for a Colorblind | 70 |
Copyright | |
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action AIDS American appear artists becomes beginning body Brawley Brawley's called camera century cinema claims Clay colonial Commandment concept continues critical Cuban cultural desire discourse discussion dream effect English essay example experience Export fact female figure film hand host Hughes human idea identity immigrant issues Jewish kind King Kong language Latin literature living look Love means memory Michigan movement narrative notes object original parasite past performance photographic political position possible postcolonial Practice present Press production provides question race racial reason relation relationship representation represents scene Second seems seen sense sequence sexual shot side social space Spanish speak story Studies suggests suture theory thing thought tion touch translation turn understand United University visual voice woman writes York