Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 22Indiana University Press, 2000 |
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Side 13
... photographic body . Not only are the black and white bodily parts more hyperbolically visual than the colored , they are more profoundly photographic . At the moment that they were photographed , they were already a photograph . As I ...
... photographic body . Not only are the black and white bodily parts more hyperbolically visual than the colored , they are more profoundly photographic . At the moment that they were photographed , they were already a photograph . As I ...
Side 30
... photographic work could at times be described as a game of Fort - Da with her Hyksos adver- saries . As the film progresses , Anna is confronted with increasingly stubborn and aggressive photographic subjects - with objects which ...
... photographic work could at times be described as a game of Fort - Da with her Hyksos adver- saries . As the film progresses , Anna is confronted with increasingly stubborn and aggressive photographic subjects - with objects which ...
Side 31
... photographic eye is , for the most part , a futile one , and that it gives rise to a variety of retaliations from the field of vision . When Anna at one point complains that her work is getting darker and uglier , she means not only ...
... photographic eye is , for the most part , a futile one , and that it gives rise to a variety of retaliations from the field of vision . When Anna at one point complains that her work is getting darker and uglier , she means not only ...
Indhold
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Copyright | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York