Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 22Indiana University Press, 2000 |
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Side 83
... past , when I was Clay Arlington . Max : If your memory has returned , don't you think it might be useful to integrate that past into your life ? Clay : Which past ? Max : The past you know to be your own . Clay : It's all my past . Who ...
... past , when I was Clay Arlington . Max : If your memory has returned , don't you think it might be useful to integrate that past into your life ? Clay : Which past ? Max : The past you know to be your own . Clay : It's all my past . Who ...
Side 28
... past or of the cure for which he hopes . [ Beyond the Pleasure Principle 12 ] ) This passage initially metaphorizes the dream state as a psychical transport : as the replication of a past experience in which the patient is perceptually ...
... past or of the cure for which he hopes . [ Beyond the Pleasure Principle 12 ] ) This passage initially metaphorizes the dream state as a psychical transport : as the replication of a past experience in which the patient is perceptually ...
Side 75
... past - which is set up as analogous to Portuguese national history - through his writing of a new historical text about some of his ancestors . He does so by using - one might more appropriately say " plagiarizing ” —a text on the same ...
... past - which is set up as analogous to Portuguese national history - through his writing of a new historical text about some of his ancestors . He does so by using - one might more appropriately say " plagiarizing ” —a text on the same ...
Indhold
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Copyright | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York