Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 22Indiana University Press, 2000 |
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Side 77
... passing interest in physiognomy . In one scene , as she removes Clay's facial sutures , she invokes physical characterology to assures him that he can not be his father's killer , as the police believe and Clay fears . She finds ...
... passing interest in physiognomy . In one scene , as she removes Clay's facial sutures , she invokes physical characterology to assures him that he can not be his father's killer , as the police believe and Clay fears . She finds ...
Side 112
... passing images of the film . It was the ingenuity of Willis H. O'Brien , the chief technician , Mario Larrinaga and Byron L. Crabbe , the art technicians that discovered the images of the film . These images were achieved through the ...
... passing images of the film . It was the ingenuity of Willis H. O'Brien , the chief technician , Mario Larrinaga and Byron L. Crabbe , the art technicians that discovered the images of the film . These images were achieved through the ...
Side 107
... art by Afro Cuban or African American artists and the passing " vogue ” for black arts in Europe and the U.S. It is true that both Langston Hughes ( in his famous essay , " The Negro Artist and the Racial Mountain Fall 2000 107.
... art by Afro Cuban or African American artists and the passing " vogue ” for black arts in Europe and the U.S. It is true that both Langston Hughes ( in his famous essay , " The Negro Artist and the Racial Mountain Fall 2000 107.
Indhold
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Copyright | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York