Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 22Indiana University Press, 2000 |
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Side 8
... open between two strips of celluloid . The feminine real seems to be asserting itself over and against the fictions of the silver screen . But as the opening becomes larger , this hypothesis is discredited . The shapely hands signify ...
... open between two strips of celluloid . The feminine real seems to be asserting itself over and against the fictions of the silver screen . But as the opening becomes larger , this hypothesis is discredited . The shapely hands signify ...
Side 25
... opens with a lengthy tracking shot that begins in an apartment building bedroom where a woman named Anna lies asleep . In this shot , the camera backs slowly through the bedroom window and retreats outward to pan across a Vienna ...
... opens with a lengthy tracking shot that begins in an apartment building bedroom where a woman named Anna lies asleep . In this shot , the camera backs slowly through the bedroom window and retreats outward to pan across a Vienna ...
Side 21
... open up American Studies to U.S. imperialism but to recognize that American Studies have been mainly dominated by the " white epistemology " of the very national history . I will not say then , that American Studies shall move in the ...
... open up American Studies to U.S. imperialism but to recognize that American Studies have been mainly dominated by the " white epistemology " of the very national history . I will not say then , that American Studies shall move in the ...
Indhold
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Copyright | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York