Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 22Indiana University Press, 2000 |
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Side 16
... mirror reflection , Export's photographs of photographs show the flesh and blood woman holding hands with , lying proximate to , or even embracing her black and white companion . But Syntagma complicates the Wallonian and Schilderian ...
... mirror reflection , Export's photographs of photographs show the flesh and blood woman holding hands with , lying proximate to , or even embracing her black and white companion . But Syntagma complicates the Wallonian and Schilderian ...
Side 37
... mirror.8 The similarities between these allegories , as well as the important distinctions which mark them , require some explication . Freud's anecdote reads thus : It is interesting to observe what the effect is of meeting one's own ...
... mirror.8 The similarities between these allegories , as well as the important distinctions which mark them , require some explication . Freud's anecdote reads thus : It is interesting to observe what the effect is of meeting one's own ...
Side 38
... mirror . In the first , Anna stands in mid - shot with her face in profile , looking into a framed glass in which her reflection is visible . Suddenly , the mirror image begins to move independently , and starts to put on red lipstick ...
... mirror . In the first , Anna stands in mid - shot with her face in profile , looking into a framed glass in which her reflection is visible . Suddenly , the mirror image begins to move independently , and starts to put on red lipstick ...
Indhold
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Copyright | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York