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Side 97
Niney : That means privileging a documentary approach , even if it means making people play themselves ( leur propre rôle ) ? Pelechian : Yes . There is no need to make them play anything else . The important thing is to create the ...
Niney : That means privileging a documentary approach , even if it means making people play themselves ( leur propre rôle ) ? Pelechian : Yes . There is no need to make them play anything else . The important thing is to create the ...
Side 98
Our bodies are linked to this duration , but our thought , our faculty of representation and the cinema have means of escaping it . Niney : How do you explain the fact that it has taken so long for your films to be discovered ?
Our bodies are linked to this duration , but our thought , our faculty of representation and the cinema have means of escaping it . Niney : How do you explain the fact that it has taken so long for your films to be discovered ?
Side 30
It is important to note that such a deflection offers a relatively harmless means of channeling such aggressive impulses : in the example of Fort - Da , the child's staging of disappearances in the visual field on a substitute object ...
It is important to note that such a deflection offers a relatively harmless means of channeling such aggressive impulses : in the example of Fort - Da , the child's staging of disappearances in the visual field on a substitute object ...
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Indhold
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Problems for a Colorblind | 70 |
Copyright | |
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action AIDS American appear artists becomes beginning body Brawley Brawley's called camera century cinema claims Clay colonial Commandment concept continues critical Cuban cultural desire discourse discussion dream effect English essay example experience Export fact female figure film hand host Hughes human idea identity immigrant issues Jewish kind King Kong language Latin literature living look Love means memory Michigan movement narrative notes object original parasite past performance photographic political position possible postcolonial Practice present Press production provides question race racial reason relation relationship representation represents scene Second seems seen sense sequence sexual shot side social space Spanish speak story Studies suggests suture theory thing thought tion touch translation turn understand United University visual voice woman writes York