Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 22Indiana University Press, 2000 |
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Side 35
... to assume a moving , perceptual existence . It is the fountain - like structure through which lost images may re- emerge in the external world . Anna's efforts to restore life to a perceptual field beset Spring 2000 35.
... to assume a moving , perceptual existence . It is the fountain - like structure through which lost images may re- emerge in the external world . Anna's efforts to restore life to a perceptual field beset Spring 2000 35.
Side 123
... Lost with a drawing by O'Brian and Bryon Crabbe . Concerning picture quality , William K. Everson indicates that - since 1938 ? -copies of the film have been made intentionally darker in order to hide the more bloody details , which has ...
... Lost with a drawing by O'Brian and Bryon Crabbe . Concerning picture quality , William K. Everson indicates that - since 1938 ? -copies of the film have been made intentionally darker in order to hide the more bloody details , which has ...
Side 89
... lost authenticity and purity , but will only mirror the same displacement that initially prompted the black modern self's search for his / her roots . The Black journey toward the source leads from illusion to disillusionment , as it ...
... lost authenticity and purity , but will only mirror the same displacement that initially prompted the black modern self's search for his / her roots . The Black journey toward the source leads from illusion to disillusionment , as it ...
Indhold
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Copyright | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York