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Side 105
The two films considered here also divide that historical trajectory between them : “ Fly ” looks back to classic horror film – it starts up like one as we track into dark factory grounds until the camera is startled by a howling cat ...
The two films considered here also divide that historical trajectory between them : “ Fly ” looks back to classic horror film – it starts up like one as we track into dark factory grounds until the camera is startled by a howling cat ...
Side 106
By contrast , in films like Fly or Alien ( Ridley Scott 1979 ) and Aliens ( James Cameron , 1986 ) , the horrified / fascinated gaze is compelled to pay attention ; we are not allowed to look away . As Philip Brophy writes , “ John ...
By contrast , in films like Fly or Alien ( Ridley Scott 1979 ) and Aliens ( James Cameron , 1986 ) , the horrified / fascinated gaze is compelled to pay attention ; we are not allowed to look away . As Philip Brophy writes , “ John ...
Side 27
The film thus inverts the conventional paradigm of spectatorial relations which feminist film theory has critiqued , where control seems to reside with the look and captation is attributed to the spectacle . But Export's inversion is ...
The film thus inverts the conventional paradigm of spectatorial relations which feminist film theory has critiqued , where control seems to reside with the look and captation is attributed to the spectacle . But Export's inversion is ...
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Indhold
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Problems for a Colorblind | 70 |
Copyright | |
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