Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 22Indiana University Press, 2000 |
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Side 97
... important but it's not obligatory . Let's say that I have no confidence in words , I want to get to this side ( en deça ) of them . And a well - known actor hinders me , how am I going to make a common being of him ? I speak of the ...
... important but it's not obligatory . Let's say that I have no confidence in words , I want to get to this side ( en deça ) of them . And a well - known actor hinders me , how am I going to make a common being of him ? I speak of the ...
Side 19
... important in my argument . Language is not an object or an instrument but an integral part of life itself ( remember , I am casting languaging in the large spectrum of living organisms ) . When it comes to social control , and more ...
... important in my argument . Language is not an object or an instrument but an integral part of life itself ( remember , I am casting languaging in the large spectrum of living organisms ) . When it comes to social control , and more ...
Side 83
... important ; what is important is the obviousness of the selection of that particular , unlikely adjective in that particular context . In effect , then , the principal point being made is that a point is being made . A third , and ...
... important ; what is important is the obviousness of the selection of that particular , unlikely adjective in that particular context . In effect , then , the principal point being made is that a point is being made . A third , and ...
Indhold
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Copyright | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York