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Side 76
In the film , Freudian reconstruction of memory is offered as one model of identity determination , and physiognomy's visually - based characterology is presented as another . McGehee and Siegel proceed to tease their viewing audience ...
In the film , Freudian reconstruction of memory is offered as one model of identity determination , and physiognomy's visually - based characterology is presented as another . McGehee and Siegel proceed to tease their viewing audience ...
Side 85
Or is Max's notion of identity operating under a critical erasure ? Max adheres to a notion of memory chains anchored in Clay's body , at this point . Per the film's Lacanian reference to “ suture , " a very different model of identity ...
Or is Max's notion of identity operating under a critical erasure ? Max adheres to a notion of memory chains anchored in Clay's body , at this point . Per the film's Lacanian reference to “ suture , " a very different model of identity ...
Side 107
The one - to - two relationship works the other way as well : the theme of Invasion of the Body Snatchers is identity ; the theme of The Fly is otherness . While in the first , horror is the ambiguity of identity ...
The one - to - two relationship works the other way as well : the theme of Invasion of the Body Snatchers is identity ; the theme of The Fly is otherness . While in the first , horror is the ambiguity of identity ...
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Indhold
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Problems for a Colorblind | 70 |
Copyright | |
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action AIDS American appear artists becomes beginning body Brawley Brawley's called camera century cinema claims Clay colonial Commandment concept continues critical Cuban cultural desire discourse discussion dream effect English essay example experience Export fact female figure film hand host Hughes human idea identity immigrant issues Jewish kind King Kong language Latin literature living look Love means memory Michigan movement narrative notes object original parasite past performance photographic political position possible postcolonial Practice present Press production provides question race racial reason relation relationship representation represents scene Second seems seen sense sequence sexual shot side social space Spanish speak story Studies suggests suture theory thing thought tion touch translation turn understand United University visual voice woman writes York