Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 22Indiana University Press, 2000 |
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Side 14
... father's idols . But Lanzmann also objects to the two films on the basis of desire . Filmed Nazis like the ones in Schindler's List are too at- tractive in their uniforms , while Holocaust victims are too weak to be portrayed by actors ...
... father's idols . But Lanzmann also objects to the two films on the basis of desire . Filmed Nazis like the ones in Schindler's List are too at- tractive in their uniforms , while Holocaust victims are too weak to be portrayed by actors ...
Side 60
... father and a German mother , Greg Louganis's body bore the markers of its racial origins . Accounts of his unhappiness under racist attacks are inevitably coupled with that of his adoptive father as a hard , cold man who inflicted a ...
... father and a German mother , Greg Louganis's body bore the markers of its racial origins . Accounts of his unhappiness under racist attacks are inevitably coupled with that of his adoptive father as a hard , cold man who inflicted a ...
Side 76
... father's funeral . Vincent is suspected of killing his father and so has plotted to stage Clay's death as his own , dressing him first in his own cool , white suit , exchanging their identification cards , and then detonating a bomb ...
... father's funeral . Vincent is suspected of killing his father and so has plotted to stage Clay's death as his own , dressing him first in his own cool , white suit , exchanging their identification cards , and then detonating a bomb ...
Indhold
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Copyright | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York