Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 22Indiana University Press, 2000 |
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Side 94
... existence of the word comes from human relations , while our existence as human beings comes from nature . And as for me , I insist on dealing with our natural being . Discourse , 22.1 , Winter 2000 , pp . 94–98 . Copyright © 2000 Wayne ...
... existence of the word comes from human relations , while our existence as human beings comes from nature . And as for me , I insist on dealing with our natural being . Discourse , 22.1 , Winter 2000 , pp . 94–98 . Copyright © 2000 Wayne ...
Side 100
... existence . Cinema can thus create another reality as real as the first . But if 1 + 1 = 2 , how do you know if 2 is really the result of such an addition ? You could also get 2 from 5 - 3 or 3-1 . . . . For me the world is always 2 ...
... existence . Cinema can thus create another reality as real as the first . But if 1 + 1 = 2 , how do you know if 2 is really the result of such an addition ? You could also get 2 from 5 - 3 or 3-1 . . . . For me the world is always 2 ...
Side 63
... existence through representational manipulations : The fundamental event of the modern age is the conquest of the world as picture . The word “ picture ” [ Bild ] now means the structured image [ Gebild ] that is the creature of man's ...
... existence through representational manipulations : The fundamental event of the modern age is the conquest of the world as picture . The word “ picture ” [ Bild ] now means the structured image [ Gebild ] that is the creature of man's ...
Indhold
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Copyright | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York