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Side 16
But even an issue as close to that of sanctity as , for example , privacy , is remarkably rare in the discourse of atrocity ( Cate 39–40 ) . The argument for suppression of horrifying footage is more likely to rest on “ compassion ...
But even an issue as close to that of sanctity as , for example , privacy , is remarkably rare in the discourse of atrocity ( Cate 39–40 ) . The argument for suppression of horrifying footage is more likely to rest on “ compassion ...
Side 67
7 The close affinities between this example and the situation of the cinematic spectator cannot go unnoticed . Even though the spectator does not literally touch the image projected on the screen the way Judith and Joseph touch their ...
7 The close affinities between this example and the situation of the cinematic spectator cannot go unnoticed . Even though the spectator does not literally touch the image projected on the screen the way Judith and Joseph touch their ...
Side 37
It begs the question , for example , to what extent the official abolition of the transatlantic slave trade in 1807 was a lonely act of political good will in view of the fact that the illegal trade to Brazil and Cuba continued to boom ...
It begs the question , for example , to what extent the official abolition of the transatlantic slave trade in 1807 was a lonely act of political good will in view of the fact that the illegal trade to Brazil and Cuba continued to boom ...
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Indhold
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Problems for a Colorblind | 70 |
Copyright | |
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action AIDS American appear artists becomes beginning body Brawley Brawley's called camera century cinema claims Clay colonial Commandment concept continues critical Cuban cultural desire discourse discussion dream effect English essay example experience Export fact female figure film hand host Hughes human idea identity immigrant issues Jewish kind King Kong language Latin literature living look Love means memory Michigan movement narrative notes object original parasite past performance photographic political position possible postcolonial Practice present Press production provides question race racial reason relation relationship representation represents scene Second seems seen sense sequence sexual shot side social space Spanish speak story Studies suggests suture theory thing thought tion touch translation turn understand United University visual voice woman writes York