Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 22Indiana University Press, 2000 |
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Side 79
... effect . Clay is even poised to accept that he has murdered his father , when Alice Jameson ( a family friend , played by Dina Merrill ) and Max first break the news of the police's suspicion to him . Time and again , the film subtly ...
... effect . Clay is even poised to accept that he has murdered his father , when Alice Jameson ( a family friend , played by Dina Merrill ) and Max first break the news of the police's suspicion to him . Time and again , the film subtly ...
Side 105
... effect : in the history of special effects , of spectacle . Both of the later films initiate a move to the postmodern city as the place where technique is continuously on display . It is almost as if the second versions were made to ...
... effect : in the history of special effects , of spectacle . Both of the later films initiate a move to the postmodern city as the place where technique is continuously on display . It is almost as if the second versions were made to ...
Side 82
... effect , the reader should read in such a way that s / he reflects on the reader - function as a part of carrying it out . The past , História suggests , should not be received as though it were given somewhere and had a powerful fixing ...
... effect , the reader should read in such a way that s / he reflects on the reader - function as a part of carrying it out . The past , História suggests , should not be received as though it were given somewhere and had a powerful fixing ...
Indhold
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Copyright | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York