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Side 81
Clay's amnesia initially serves as a kind of unwilled deception , so that he lives in the waking dream Descartes ... In Clay's dreams , however , reality peeks through , so that he finally has a metadream in which “ I wake up but I'm ...
Clay's amnesia initially serves as a kind of unwilled deception , so that he lives in the waking dream Descartes ... In Clay's dreams , however , reality peeks through , so that he finally has a metadream in which “ I wake up but I'm ...
Side 32
A dream sequence which occurs chronologically at the end of the first day of the film helps us to understand Anna's unusual receptivity to the disturbances in the visual field . The sequence is prefaced with a shot of Anna talking to ...
A dream sequence which occurs chronologically at the end of the first day of the film helps us to understand Anna's unusual receptivity to the disturbances in the visual field . The sequence is prefaced with a shot of Anna talking to ...
Side 33
us with additional support for this reading : although at times the dream - images in the above sequence are clearly marked as such by the rectangular screen within the screen , more often they are given an equal if not superior status ...
us with additional support for this reading : although at times the dream - images in the above sequence are clearly marked as such by the rectangular screen within the screen , more often they are given an equal if not superior status ...
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Indhold
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Problems for a Colorblind | 70 |
Copyright | |
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action AIDS American appear artists becomes beginning body Brawley Brawley's called camera century cinema claims Clay colonial Commandment concept continues critical Cuban cultural desire discourse discussion dream effect English essay example experience Export fact female figure film hand host Hughes human idea identity immigrant issues Jewish kind King Kong language Latin literature living look Love means memory Michigan movement narrative notes object original parasite past performance photographic political position possible postcolonial Practice present Press production provides question race racial reason relation relationship representation represents scene Second seems seen sense sequence sexual shot side social space Spanish speak story Studies suggests suture theory thing thought tion touch translation turn understand United University visual voice woman writes York