Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 22Indiana University Press, 2000 |
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Side 104
... contemporary " that Robin Wood lays out in his “ Intro- duction to the American Horror Film . " Contemporary horror film is constituted by the following elements : " the ' double ' motif ( that is the hero and monster are doubles ) ...
... contemporary " that Robin Wood lays out in his “ Intro- duction to the American Horror Film . " Contemporary horror film is constituted by the following elements : " the ' double ' motif ( that is the hero and monster are doubles ) ...
Side 105
... contemporary horror cycles ( which films of the 1950s do share ) is a difference in effect : in the history of special effects , of spectacle . Both of the later films initiate a move to the postmodern city as the place where technique ...
... contemporary horror cycles ( which films of the 1950s do share ) is a difference in effect : in the history of special effects , of spectacle . Both of the later films initiate a move to the postmodern city as the place where technique ...
Side 38
... contemporary United States should be regarded as postcolonial . Anne McClintock's question of 1992 is as justified today as it was then : " By what fiat of historical amnesia , " she asked , " can the United States of America ...
... contemporary United States should be regarded as postcolonial . Anne McClintock's question of 1992 is as justified today as it was then : " By what fiat of historical amnesia , " she asked , " can the United States of America ...
Indhold
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Copyright | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York