Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 22Indiana University Press, 2000 |
Fra bogen
Resultater 1-3 af 3
Side 71
... comic irreality of those calling for a colorblind society , one in which the visual would never be a factor in determining how we assess others . The film estab- lishes , on at least an unconscious level , an oscillation between the ...
... comic irreality of those calling for a colorblind society , one in which the visual would never be a factor in determining how we assess others . The film estab- lishes , on at least an unconscious level , an oscillation between the ...
Side 135
... Comic and The End of Innocence : Prime - Time Television and the Politics of the Sixties . Bertrand Augst is Professor Emeritus at the University of Califor- nia , Berkeley where he taught in the French , Comparative Lit- erature , and ...
... Comic and The End of Innocence : Prime - Time Television and the Politics of the Sixties . Bertrand Augst is Professor Emeritus at the University of Califor- nia , Berkeley where he taught in the French , Comparative Lit- erature , and ...
Side 83
... referred - not without immediate comic effect - to Portugal's colonial wars of the 1960s and early 1970s , the resultant Revolution that overthrew the fascist regime in 1974 , and their aftermath . While it Fall 2000 83.
... referred - not without immediate comic effect - to Portugal's colonial wars of the 1960s and early 1970s , the resultant Revolution that overthrew the fascist regime in 1974 , and their aftermath . While it Fall 2000 83.
Indhold
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Copyright | |
11 andre sektioner vises ikke
Andre udgaver - Se alle
Almindelige termer og sætninger
African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York