Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 22Indiana University Press, 2000 |
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Side 35
... close - ups on the figures in the group ensues , making it obvious that they , too , are but flat , photographic replicas . Anna now reaches over to her own figure , gently picking it up by the hand . The final shot of the sequence ...
... close - ups on the figures in the group ensues , making it obvious that they , too , are but flat , photographic replicas . Anna now reaches over to her own figure , gently picking it up by the hand . The final shot of the sequence ...
Side 53
... close - ups of bodily surfaces and shapes seen here by the viewer are akin to those she might see when intimately involved with another body . We are thus encouraged to see those images through our sense of touch - our bodily knowledge ...
... close - ups of bodily surfaces and shapes seen here by the viewer are akin to those she might see when intimately involved with another body . We are thus encouraged to see those images through our sense of touch - our bodily knowledge ...
Side 59
... close from behind for a few mo- ments , subsequently panning left of him and leaving his back off the frame . This movement forward of the camera , as it abandons Alfons's body - while still presumably anticipating his trajectory and ...
... close from behind for a few mo- ments , subsequently panning left of him and leaving his back off the frame . This movement forward of the camera , as it abandons Alfons's body - while still presumably anticipating his trajectory and ...
Indhold
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Copyright | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York