Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 22Indiana University Press, 2000 |
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Side 10
... body clearly takes a position between me and the world , " the two voices declaim : “ On the one hand , the body is the center of my world . On the other , it is an object in the world of the Other . ” Syntagma consistently manifests ...
... body clearly takes a position between me and the world , " the two voices declaim : “ On the one hand , the body is the center of my world . On the other , it is an object in the world of the Other . ” Syntagma consistently manifests ...
Side 17
... body . " In the first , which shows the woman's head and upper body , her outstretched arms have been reduced to stumps through the cropping of the photograph , which has been torn along a jagged edge on the right . In the second ...
... body . " In the first , which shows the woman's head and upper body , her outstretched arms have been reduced to stumps through the cropping of the photograph , which has been torn along a jagged edge on the right . In the second ...
Side 18
... body - the body which is an object in the world of the Other . At other times , the woman displays a brilliant shock of blond hair , and is bare - foot , signifying once again the sensational body , that body which is the center of its ...
... body - the body which is an object in the world of the Other . At other times , the woman displays a brilliant shock of blond hair , and is bare - foot , signifying once again the sensational body , that body which is the center of its ...
Indhold
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Copyright | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York