Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 22Indiana University Press, 2000 |
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Side 96
... beginning and end of shot , of cause and effect become fluctuating and per- mutable .... Pelechian : Exactly . It's for that reason that montage at a distance doesn't obey the classical rules of montage : exposition , develop- ment ...
... beginning and end of shot , of cause and effect become fluctuating and per- mutable .... Pelechian : Exactly . It's for that reason that montage at a distance doesn't obey the classical rules of montage : exposition , develop- ment ...
Side 15
... beginning of life . The children he describes remain for an extended period at a psychic distance from their mirror reflections . In certain situations , the adult subject can also become aware once again of the gap separating his or ...
... beginning of life . The children he describes remain for an extended period at a psychic distance from their mirror reflections . In certain situations , the adult subject can also become aware once again of the gap separating his or ...
Side 108
... beginning of the film with Cooper's " Old Arabian Proverb " : " And the prophet said : ' And lo , the beast looked upon the face of beauty . And it stayed its hands from killing . And from that day , it was as one dead ' . " It is ...
... beginning of the film with Cooper's " Old Arabian Proverb " : " And the prophet said : ' And lo , the beast looked upon the face of beauty . And it stayed its hands from killing . And from that day , it was as one dead ' . " It is ...
Indhold
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Copyright | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York