Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 22Indiana University Press, 2000 |
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Side 92
... begin at the moment when I edit together two pieces , but when I separate them and put between them the third , the fifth , the tenth piece . In taking two base images , which bear a charge of meaning , I don't try to bring them ...
... begin at the moment when I edit together two pieces , but when I separate them and put between them the third , the fifth , the tenth piece . In taking two base images , which bear a charge of meaning , I don't try to bring them ...
Side 93
... begin to use the absence of the image . In this fashion it will enter into the territory of absence , rendering it present . This is why I said that a monster clings to the side of the miracle . Translated from the French by Timothy S ...
... begin to use the absence of the image . In this fashion it will enter into the territory of absence , rendering it present . This is why I said that a monster clings to the side of the miracle . Translated from the French by Timothy S ...
Side 33
... begin to dominate the sequence , as the images of the bedroom begin to alternate with full - screen images of the skater . In this part of the sequence , the image flickers as the skates walk through a train station , down escalator ...
... begin to dominate the sequence , as the images of the bedroom begin to alternate with full - screen images of the skater . In this part of the sequence , the image flickers as the skates walk through a train station , down escalator ...
Indhold
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Copyright | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York