Fra bogen
Resultater 1-3 af 62
Side 15
The same discourse of idolatry that connects the Holocaust to the Second Commandment , connects it , in turn , to the purism of high modernism , many of whose most important critics supported non - representational art .
The same discourse of idolatry that connects the Holocaust to the Second Commandment , connects it , in turn , to the purism of high modernism , many of whose most important critics supported non - representational art .
Side 16
The argument for suppression of horrifying footage is more likely to rest on “ compassion fatigue ” than on impropriety or idolatry ( Shattuck 174 ) .8 But even if the Second Commandment is for some reason more applicable to the ...
The argument for suppression of horrifying footage is more likely to rest on “ compassion fatigue ” than on impropriety or idolatry ( Shattuck 174 ) .8 But even if the Second Commandment is for some reason more applicable to the ...
Side 22
It would seem that the Second Commandment proscribes only tedious academic art . By following its precepts , Jews end up in the forefront of every avant - garde movement . This will to connect the Second Commandment to contemporary art ...
It would seem that the Second Commandment proscribes only tedious academic art . By following its precepts , Jews end up in the forefront of every avant - garde movement . This will to connect the Second Commandment to contemporary art ...
Hvad folk siger - Skriv en anmeldelse
Vi har ikke fundet nogen anmeldelser de normale steder.
Indhold
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Problems for a Colorblind | 70 |
Copyright | |
15 andre sektioner vises ikke
Andre udgaver - Se alle
Almindelige termer og sætninger
action AIDS American appear artists becomes beginning body Brawley Brawley's called camera century cinema claims Clay colonial Commandment concept continues critical Cuban cultural desire discourse discussion dream effect English essay example experience Export fact female figure film hand host Hughes human idea identity immigrant issues Jewish kind King Kong language Latin literature living look Love means memory Michigan movement narrative notes object original parasite past performance photographic political position possible postcolonial Practice present Press production provides question race racial reason relation relationship representation represents scene Second seems seen sense sequence sexual shot side social space Spanish speak story Studies suggests suture theory thing thought tion touch translation turn understand United University visual voice woman writes York