Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 22Indiana University Press, 2000 |
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Side 75
... Hitchcock and Bergman ( Rainer ) . Yet its parodic enactment of colorblindness arrived in the year following assertions like those of Walter Benn Michaels , who argued that we should stop thinking of groups in terms of racial identity ...
... Hitchcock and Bergman ( Rainer ) . Yet its parodic enactment of colorblindness arrived in the year following assertions like those of Walter Benn Michaels , who argued that we should stop thinking of groups in terms of racial identity ...
Side 25
... Hitchcock's Psycho , and its effects can be better understood through a comparison . At the start of Psycho , Discourse 22.2 ( Spring 2000 ) : 25–45 . Copyright © 2000 Wayne State University Press , Detroit , Michigan 48201-1309 . the ...
... Hitchcock's Psycho , and its effects can be better understood through a comparison . At the start of Psycho , Discourse 22.2 ( Spring 2000 ) : 25–45 . Copyright © 2000 Wayne State University Press , Detroit , Michigan 48201-1309 . the ...
Side 26
... Hitchcock's stalking camera . Whereas Psycho imagines the eye as a sharp , precise instrument which probes into and controls what it sees , Invisible Adversaries denies the eye this mastery , figuring vision instead as a floating ...
... Hitchcock's stalking camera . Whereas Psycho imagines the eye as a sharp , precise instrument which probes into and controls what it sees , Invisible Adversaries denies the eye this mastery , figuring vision instead as a floating ...
Indhold
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Copyright | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York