Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 22Indiana University Press, 2000 |
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Side 68
... frame - the real object — and that which is left in the room / frame as a delegate / surrogate of that absent reality . By contrast , the hotel room where Judith and Alfons get together does not provide a fixed boundary — either in ...
... frame - the real object — and that which is left in the room / frame as a delegate / surrogate of that absent reality . By contrast , the hotel room where Judith and Alfons get together does not provide a fixed boundary — either in ...
Side 13
... frame and ethical imperatives imposed by the " good side " of existing hege- monic narratives , operating on the concept of " territory " rather than of " borderland " or " double consciousness " or " une pensée- autre , " or operating ...
... frame and ethical imperatives imposed by the " good side " of existing hege- monic narratives , operating on the concept of " territory " rather than of " borderland " or " double consciousness " or " une pensée- autre , " or operating ...
Side 29
... frame . " Modernity " implied the colonization of time and the in- vention of the " Middle Ages . " 2. And " Occidentalism " was a notion that contributed to the self - definition of post - Renaissance Europe in the frame of space ...
... frame . " Modernity " implied the colonization of time and the in- vention of the " Middle Ages . " 2. And " Occidentalism " was a notion that contributed to the self - definition of post - Renaissance Europe in the frame of space ...
Indhold
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Copyright | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York