JahrbuchQuelle & Meyer, 1967 Vols. for 1964- include Shakespeare-Bibliographie. |
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Side 163
... Times and the weekly Sunday Times and Observer can re- present non - specialist publications with their own , permanent drama critics and conscious of their responsibility to a wide public and theat- rical art . Each gave a sharp ...
... Times and the weekly Sunday Times and Observer can re- present non - specialist publications with their own , permanent drama critics and conscious of their responsibility to a wide public and theat- rical art . Each gave a sharp ...
Side 165
... Times ) ; ' like Oli- vier , he starts from a base of mimicry ... Guinness pours the poetry into a soft Scots rhythm burring his r's , crooning his o's ' ( Observer ) ; the ' rhythmic energy ' of the performances ( Times ) . Described ...
... Times ) ; ' like Oli- vier , he starts from a base of mimicry ... Guinness pours the poetry into a soft Scots rhythm burring his r's , crooning his o's ' ( Observer ) ; the ' rhythmic energy ' of the performances ( Times ) . Described ...
Side 166
... Times marking a Brechtian influence ; and here the writers display their experience and opinions : In a production of this type one does not look for development of character ( The Times ) . The real model for this production is ...
... Times marking a Brechtian influence ; and here the writers display their experience and opinions : In a production of this type one does not look for development of character ( The Times ) . The real model for this production is ...
Indhold
Glückwunsch an den Schirmherrn der Gesellschaft Kardinal Frings | 7 |
Horst Oppel 120 | 14 |
Leopold Lindtberg | 20 |
Copyright | |
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acting actor Archer audience Aufführung Ausg besonders bewußt BFLStr Brahm Charles Claus Bremer Coriolanus Cressida criticism Cymbeline deutschen Bühne Deutschen Shakespeare-Gesellschaft Dichter Diebold Drama Dramen Einfluß elisabethanischen Ellen Terry englischen Erl.-Schr ersten Fontane Garrick Gerichtsszene great großen Hamlet heißt Henry historischen Iago Inszenierung Irving Jahre Jahrhundert John Julius Caesar Kean Kenneth Tynan Kerr King Lear Komödie König Lear Kritik Kunst kurz läßt lich ließ London Macbeth make Maß Measure for Measure modern modernen muß Natur Night Othello performance Phelps play plays production Publikum Regisseur Review Richard Richard III Romeo and Juliet Romeo und Julia scene Schauspieler schen schließlich Schluß Schröder Scott Sh's Shake Shakespeare Shakespeare's Shakespeareschen ShStCin Shylock siehe sonnets speare Spiel stage Stück Studies Szene Text Theater theatrical Times Titus Andronicus tragedy tragischen Tragödie Troilus Univ unsere Verleumdung Verleumdungsszenen weiß Werk Widerspenstigen Zähmung William Wilson Wort Zuschauer