... The American Educational Readers: First[-fifth] Reader, Bind 5Ivison, Blakeman, Taylor, 1873 |
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Side vii
... VOICES OF THE DEAD 123. THE PRESS AND THE SWORD 128. GRANDEUR OF THE SEA 131. CÆSAR AT THE RUBICON 132. PASSING OF ... VOICE OF THE WIND 35 J. K. Lombard 36 49 50 Horatio Alger . Miss S. A. Brock 76 O. W. Holmes . • • T. H. Bayly LEARN ...
... VOICES OF THE DEAD 123. THE PRESS AND THE SWORD 128. GRANDEUR OF THE SEA 131. CÆSAR AT THE RUBICON 132. PASSING OF ... VOICE OF THE WIND 35 J. K. Lombard 36 49 50 Horatio Alger . Miss S. A. Brock 76 O. W. Holmes . • • T. H. Bayly LEARN ...
Side ix
... voice , used in reading or speaking ; as , Will you remain or depart ? The Rising Inflection is an upward turn or slide of the voice , used when the voice ends higher than it begins ; as , Are you going home ' ? The Falling Inflection ...
... voice , used in reading or speaking ; as , Will you remain or depart ? The Rising Inflection is an upward turn or slide of the voice , used when the voice ends higher than it begins ; as , Are you going home ' ? The Falling Inflection ...
Side xi
... voice . It is employed in the de- livery of passages that are expressive of awe , reverence , or sublimity . EXERCISES . 1. When I cōnsīdēr Thy heavēns , thē wōrk ōf Thy fingers , the mōōn and the stars which Thōu hast ōrdained , whāt ...
... voice . It is employed in the de- livery of passages that are expressive of awe , reverence , or sublimity . EXERCISES . 1. When I cōnsīdēr Thy heavēns , thē wōrk ōf Thy fingers , the mōōn and the stars which Thōu hast ōrdained , whāt ...
Side xii
... voice , or by a rising or falling inflection ; as , Will you go to town ? I will not go to town . 2. Words in contrast should be emphasized by stress , and by using one kind of inflection with one word , and the opposite kind with the ...
... voice , or by a rising or falling inflection ; as , Will you go to town ? I will not go to town . 2. Words in contrast should be emphasized by stress , and by using one kind of inflection with one word , and the opposite kind with the ...
Side xiv
... voice which are used in reading and speaking to give expression to the feelings in- spired by the subject . Tones depend on the pitch , force , quantity , and quality of the sounds produced by the voice . The varied use of these ...
... voice which are used in reading and speaking to give expression to the feelings in- spired by the subject . Tones depend on the pitch , force , quantity , and quality of the sounds produced by the voice . The varied use of these ...
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Almindelige termer og sætninger
Alice Cary ANALYSIS AND DEFINITIONS apple-tree army beauty Ben e beneath blessed brave bright brother cañons Central Pacific Railroad Charles Dickens Croesus dark death deep desert earth English Ethan Allen eyes fall father feet fire friends glory gold green ground hand Harold heart heaven hight hill honor hundred Jack Straw King King of Norway labor land LESSON light Little Nell live look Merced River miles morning mother mountains nature nef'i never night Norman Northwest Passage o'er pass plain plant RING river rocks rush sail sea-bird seal seemed seen Seth Warner ship side silent sleep smile snow soldiers Solon song soul sound spirit sweet tell thee things thou thought thousand toil tone trees Tyrol valley voice Wat Tyler wild wind WORD ANALYSIS young
Populære passager
Side 327 - The armaments which thunderstrike the walls Of rock-built cities, bidding nations quake And monarchs tremble in their capitals, The oak leviathans, whose huge ribs make Their clay creator the vain title take Of lord of thee and arbiter of war, — These are thy toys, and, as the snowy flake, They melt into thy yeast of waves, which mar Alike the Armada's pride or spoils of Trafalgar.
Side 327 - Thou glorious mirror, where the Almighty's form Glasses itself in tempests ; in all time — Calm or convulsed, in breeze, or gale, or storm, Icing the pole, or in the torrid clime Dark-heaving, — boundless, endless, and sublime, — The image of Eternity, — the throne Of the Invisible ! Even from out thy slime The monsters of the deep are made ; each zone Obeys thee : thou goest forth, dread, fathomless, alone.
Side 95 - Whence then cometh wisdom? and where is the place of understanding? Seeing it is hid from the eyes of all living, and kept close from the fowls of the air. Destruction and death say, We have heard the fame thereof with our ears.
Side 95 - When he made a decree for the rain, And a way for the lightning of the thunder : Then did he see it, and declare it ; He prepared it, yea, and searched it out. And unto man he said, Behold, the fear of the Lord, that is wisdom ; And to depart from evil is understanding.
Side 95 - There is a path which no fowl knoweth, and which the vulture's eye hath not seen : The lion's whelps have not trodden it, nor the fierce lion passed by it.
Side xvii - Slowly and sadly we laid him down, From the field of his fame fresh and gory; We carved not a line, and we raised not a stone, But we left him alone with his glory.
Side 236 - Shut in from all the world without, We sat the clean-winged hearth about, Content to let the north-wind roar In baffled rage at pane and door, While the red logs before us beat The frost-line back with tropic heat...
Side 95 - But where shall wisdom be found ? and where is the place of understanding ? Man knoweth not the price thereof; neither is it found in the land of the living. The depth saith, It is not in me : and the sea saith, It is not with me.
Side 199 - Ye fearful saints, fresh courage take, The clouds ye so much dread Are big with mercy, and shall break In blessings on your head.
Side 170 - Miserable they ! Who, here entangled in the gathering ice, Take their last look of the descending sun ; While, full of death, and fierce with tenfold frost, The long, long night, incumbent o'er their heads, Falls horrible.