The Yale Literary Magazine, Bind 130,Oplag 3–4Yale Literary Society, 1962 |
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Side 7
... white woolen coat . She was afraid , both of the house and of the night . Ahead was a hall , lighted by an old- fashioned lamp which had a shade constructed of broken pieces of glass , all different shapes and colors . Tapestries hung ...
... white woolen coat . She was afraid , both of the house and of the night . Ahead was a hall , lighted by an old- fashioned lamp which had a shade constructed of broken pieces of glass , all different shapes and colors . Tapestries hung ...
Side 10
... white woolen coat dampening her skin . " I will not speak to you , " he continued , " but will listen , all night if you wish . You will leave and then never see me again . When you want , you may send me letters . A dollar a sheet , no ...
... white woolen coat dampening her skin . " I will not speak to you , " he continued , " but will listen , all night if you wish . You will leave and then never see me again . When you want , you may send me letters . A dollar a sheet , no ...
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20th century afraid Andrée answer anymore artist asked avant-garde beach became boat cave paintings century Claire Claire's Cliden coffee color concept contemporary art Cranberry creative Cubism culture dark darling dead door dream Edward Freeman El Greco Eugenia everything Expressionism eyes face feel felt Gabor Peterdi grass grey hair hand Hannes Harland looked Harland watched ideas Impressionism island Ivan Jackson Pollock Jean-Claude Juan Julia jumped Karl Lehmann knew lamp Lannie laughed letter light mass Max Ernst Michael Gill Miro museums Neo-Dada never night painting Paris Picasso Pollock pulled remember Renaissance rue de Rennes seemed shadow shore slowly smiled someone sound started stopped street sure Surrealism Surrealists talk thin things thought Tony trees turned voice waited walked wanted warmth waves white woolen coat wind woman words write Yale