The Yale Literary Magazine, Bind 130,Oplag 3–4Yale Literary Society, 1962 |
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Side 14
... turned upwards To an ebony Jesus in walnut carved By an artist's hand and soul , The song a man and maiden walking In the garden of Eden , their hearts In light and softness . Bronze gods In acropolian niches turned backwards . Evening ...
... turned upwards To an ebony Jesus in walnut carved By an artist's hand and soul , The song a man and maiden walking In the garden of Eden , their hearts In light and softness . Bronze gods In acropolian niches turned backwards . Evening ...
Side 16
... turned around . Harland saw the little brush drop from her hand . How scattered and feminine she was . Utterly charming . " Poor darling , " she said . She bit her lip . " Bored ? " Carefully he picked up the brush . " Lord , no , " he ...
... turned around . Harland saw the little brush drop from her hand . How scattered and feminine she was . Utterly charming . " Poor darling , " she said . She bit her lip . " Bored ? " Carefully he picked up the brush . " Lord , no , " he ...
Side 18
... turned to him and he felt the same surprise he always felt when a woman turned out not to be Eugenia . He seemed always to carry that lovely face with him . No woman ever came even close to its delicacy . But the face turned to him was ...
... turned to him and he felt the same surprise he always felt when a woman turned out not to be Eugenia . He seemed always to carry that lovely face with him . No woman ever came even close to its delicacy . But the face turned to him was ...
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Almindelige termer og sætninger
accept afraid answer artist asked became began beginning believe century Claire close color coming concept contemporary course cover create Cubism culture dark dead developments don't door early Eugenia everything exist expression eyes face feel felt followed hair hand hard Harland head heard human ideas important involved island Italy knew laughed least leave letter light living looked Mark mass matter mean mind morning move museums never night noticed once painting Paris past perhaps Pollock position pulled question remember rest seemed sense shadow slowly smiled sound speak started stopped street sure talk things thought took trees turned understand voice waited walked wall wanted watched waves wind woman write