The Yale Literary Magazine, Bind 130,Oplag 3–4Yale Literary Society, 1962 |
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Side 15
... painting a miniature . He wondered idly how many blades of grass she could fit onto it . Now if he were painting it , he thought , he'd give it a lick of green and spend himself on the sycamore . He'd paint the great yellow patch on the ...
... painting a miniature . He wondered idly how many blades of grass she could fit onto it . Now if he were painting it , he thought , he'd give it a lick of green and spend himself on the sycamore . He'd paint the great yellow patch on the ...
Side 50
... painter who loves blondes but denies himself the pleasure of putting them in his picture because they don't go well with the ... painting was , subconsciously motivated by the desire to create an esthetic no man's land . Its intent was 50.
... painter who loves blondes but denies himself the pleasure of putting them in his picture because they don't go well with the ... painting was , subconsciously motivated by the desire to create an esthetic no man's land . Its intent was 50.
Side 51
... painting , but also to change the total concept on the function of painting . In Europe , no matter how revolutionary was the turn of a new direction , its roots were solidly imbedded in the tradition of western art . This is obvious ...
... painting , but also to change the total concept on the function of painting . In Europe , no matter how revolutionary was the turn of a new direction , its roots were solidly imbedded in the tradition of western art . This is obvious ...
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