The Yale Literary Magazine, Bind 130,Oplag 3–4Yale Literary Society, 1962 |
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Side 51
... museum hanging in the vicinity of old masters . I find that they always get along fine . Of course this has to do at least as much with their quality as with their concept . There are several stories floating around of how Pollock ...
... museum hanging in the vicinity of old masters . I find that they always get along fine . Of course this has to do at least as much with their quality as with their concept . There are several stories floating around of how Pollock ...
Side 52
... Museum of Art examining the re- cently purchased Pollock painting with a magnifying glass . This made everybody involved look real good . I suppose we could go on and speculate endlessly on the social , economic and esthetic forces that ...
... Museum of Art examining the re- cently purchased Pollock painting with a magnifying glass . This made everybody involved look real good . I suppose we could go on and speculate endlessly on the social , economic and esthetic forces that ...
Side 55
... museums . Naturally we artists know that the museums are not anymore what they used to be . We know that they ceased to be the repository of " established " values . To be included in a museum's collection doesn't create the vain ...
... museums . Naturally we artists know that the museums are not anymore what they used to be . We know that they ceased to be the repository of " established " values . To be included in a museum's collection doesn't create the vain ...
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20th century afraid Andrée answer anymore artist asked avant-garde beach became boat cave paintings century Claire Claire's Cliden coffee color concept contemporary art Cranberry creative Cubism culture dark darling dead door dream Edward Freeman El Greco Eugenia everything Expressionism eyes face feel felt Gabor Peterdi grass grey hair hand Hannes Harland looked Harland watched ideas Impressionism island Ivan Jackson Pollock Jean-Claude Juan Julia jumped Karl Lehmann knew lamp Lannie laughed letter light mass Max Ernst Michael Gill Miro museums Neo-Dada never night painting Paris Picasso Pollock pulled remember Renaissance rue de Rennes seemed shadow shore slowly smiled someone sound started stopped street sure Surrealism Surrealists talk thin things thought Tony trees turned voice waited walked wanted warmth waves white woolen coat wind woman words write Yale